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A face a day, yea right. > FAD Program > face #107 [5/4/08] > ballpoint pen, pen

When I get a little tired, then its probably a worn out face in a porkpie. > FAD Program > face #108 [5/4/08] pen

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The ABG Manifesto: Husky White Duke

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An AGB Manifesto: Chapter 4

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An ABG Manifesto: Chapter Three

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AN ABG MANIFESTO: CHAPTER TWO

PUDDLER’S HALL Sometimes when you play a gig there is magic in the air. Sometimes not. In the week leading up to February 19, 2016 I was having trouble with Flattop’s new pickup/bridge. I’d switched to an upright bass piezo and built a new bridge. The projection was bad and uneven across the strings. I picked up an Ibanez ABG at Sam Ash on my way to a gig in Rock Island in January and now I was looking at it deciding if I could make it gig-ready. As I recall I added a couple sound-posts and changed the strings. Chris and Tommy headed up to Milwaukee early to tour the Pabst brewery and Taylor and I drove up later to meet them at Puddler’s as they made the transition from Bar/Restaurant to venue. We all started scrounging around for extension cords to get all our amps and the PA plugged into the one outlet on the side of the stage. In the first few measures of our first tune my low E slipped in the bridge pin down to something approximating low C. Then a few songs in Tommy’s amp gave out...

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back from the break.

This is it, the last week for the show up at Brothers K. I'll be taking everything down February 2nd. It's been great fun getting together my work for the show and I've met some interesting people along the way. I hope to be doing more shows this year. Now on to the 3 faces from the break: I'm no fighter of wars. Face A Day Program. face #11 [01.25.08] collage, pencil, watercolor, pen & ink, acrylic medium. People call it cabin fever. Face A Day Program. face #12 [01.26.08] ballpoint pen, acrylic medium mixed with watercolor. This image is copyright. Face A Day Program. face #13 [01.27.08] pencil, watercolor, pen & ink.

Your 1999 Indie Rock Uniform.

What's strange about this drawing for me, is that the guy is a blend of the three members of the Dynamo Theorem (my old college band)--it looks like all of us in some odd way and yet it looks like none of us. Making this a very uninteresting drawing for most of the world. thank you.

AN ACOUSTIC BASS GUITAR MANIFESTO

AN ABG MANIFESTO: CHAPTER ONE The trouble with the acoustic bass guitar (ABG): Can’t project at same level as acoustic guitar—needs amplification. This is why bass amps and the upright bass are so big—it takes a lot of air to push low frequencies. Most piezo systems seem to accentuate the negative sound qualities of the instrument: tinniness, clacking. Under-bridge piezo pickup tends to send a weak low-E signal because of the string pressure on the bridge—requires adjustment. Bridge isn’t adjustable and seems to require seasonal or annual adjustment, which is tedious. Big-time feedback issues. Have to fill sound hole and/or EQ. WHY BOTHER? I’m not exactly sure why I bought an ABG, but I went out and got one within a couple months of starting on bass. This was back in 1999 after playing trumpet for about a decade. If I had to guess, it probably seemed closer to upright bass (which it’s not (which I still haven’t transitioned to twenty years later)). I think there’s just a certain ...

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